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Hasbannium from Thomas Depas on Vimeo.

A kid on an overboard, a camgirl setting up the show, a stranger sneaking trucks, while a gamer’s spleen resonates in a virtual dungeon. Hasbannium is a series of impressionist evocations drawing elliptic sequences in a metaphorical desert, an experimental fiction rooted in Hesbaye, an agricultural region in Belgium with open horizons, devoid of forests or rivers.

Through these landscapes, a choral film comes into being, with figures seeking out a humanity that reinvents itself in a universe of signs and meanings that are increasingly confused. The result is an impressive evocation of the temptation to disappear, in which absence to self and world sketches out granular motifs.

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Cinefactum from Thomas Depas on Vimeo.

Une clairière, une cabane en bois. Assis, un adolescent y agace un briquet sur une brindille. Voilà la cabane prendre feu. Voilà le gamin debout, immobile, faire face aux flammes, fasciné par le spectacle. Voilà la caméra engager un ballet autour de la scène, jusqu’à la fin de braises. Ronde de la caméra, fascination de ces images Super 8, comme venues de loin, comme un souvenir d’enfance, et le mouvement de la disparition. Voilà, peut-être, ce que couvait le cinefactum du titre : le Fait-cendre. (NF)

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Princess Emotionned from Thomas Depas on Vimeo.

Hand-processed expired 16mm - Real-Time-Emotional-Recognition-with-Deep-Learning.
starring Nathalie Rozannes.

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Monolithe Noir - Bytwos feat.Peter Broderick (Radio Edit) from Thomas Depas on Vimeo.

Hand-processed expired 16mm edited by Nina Haditalab starring Stine Sampers

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Félicia Atkinson + Christina Vantzou - Xρόνιαw from Thomas Depas on Vimeo.

Xρόνια sound: Christina Vantzou & Félicia Atkinson
voice: Félicia Atkinson
from N4 remixes: christinavantzou.bandcamp.com/
shot on expired 16mm and 35mm film stock
cinematography: Thomas Depas, Elvis Fontaine-Garant,
Colin Leveque, Julie Calbert, Florian Berutti & Loic Carerra
on screen: Siet Rae & Stav Yeini
choreography: their own
featuring: Eva L'Hoest
edit: Christina Vantzou
color grade: Florian Berutti
Special Thanks: BFC, L'EQUIPE, LABO & KRANKY

Made in Belgium
more info:
christinavantzou.com/
kranky.net

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Chaussée de l'amour - ƒrom gr33n to 9inK from Thomas Depas on Vimeo.

Champs-contrechamps, from barracks to brothel, portrait of a suburban imaginary. Kodak 7222 - 16 mm - Stereoscopic 3D D96 Hand-Processed

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Orrorin Daydream - Reach for Tomorrow from Thomas Depas on Vimeo.

TRI-X Black & White Reversal Film 7266 C4 Hand Processing @ Le Labo BXL 2015 Canon 514 XL-S
starring Lucie Guien

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Nº3 Trailer - Christina Vantzou from Thomas Depas on Vimeo.

Nº3 Christina Vantzou kranky.net filmed by Florian Berutti & Thomas Depas.


About

In my practice, I manipulate the image through mechanical, chemical, and transcoding operations, embarking on a quest to uncover its structure and physicality. My journey began with the study of the pixel image, known for its infinite flexibility and reconfigurability, and progressed to exploring the silver image through film-lab techniques. I develop a language mediated by tools, machines, and information, maintaining a sensory approach to the textures of moving images in both Film and Digital Art. My work investigates the intricate relationship between technology and the living.

I represent “the image” as a product of an internal and material process. By confronting audiences with an artificial object that is both final and reflective of its production marks, I express a longing for authenticity and challenge the hierarchical valuation of the final product over its creation process. This approach blends romanticism with a subtle political statement.

My recent works include interactive installations where a single spectator engages in a visual dialogue with the machine. These “conversations” showcase a mysterious ballet between physical and artificial intelligence, flirting with transhumanist ideas where body and machine coalesce to create imagery together.

Growing up in Belgium, the cradle of the European industrial revolution, specifically in the rural province of Liège, has deeply influenced my ongoing engagement with "the machine." The environment, steeped in industrial history with the first European steam engine used in coal mining, seeded my fascination with materiality and the valorization of production processes.

My multidisciplinary approach spans from analog cinema to AI-generated imagery. Early in my career, I explored the tactile realm of hand-processed analog cinema, creating grainy, noisy images that highlighted the medium's physicality. A pivotal moment in 2018 led me to GAN-generated images, collaborating with a researcher from INRIA, which resulted in AI-generated faces engraved onto marble. This venture marked a significant shift in my artistic practice, steering me towards IT and new skillsets.

Three years later, I emerged as a cyber security bootcamp coach, blending artistic sensibilities with technical expertise to guide others through the digital landscape's complexities. Throughout my transformations, I have retained a poetic sensibility, using technology to explore the mysteries of human experience. Driven by curiosity and a commitment to positive impact, my work continues to evolve, reflecting a deep engagement with both art and technology.